ONHOMETHEATER.COM"Features" Archives

April 15, 2002

 

TVs Today

So far we've been concentrating on the audio aspect of the home theater on the assumption that most people already have some form of video display and want to enhance its performance with good sound. As assumptions go, that one's probably more valid than most, but it conveniently ignores how complex the whole subject of television has become in the early days of the 21st century.

In the good old days, a TV was a box -- most likely a direct-view picture tube -- and the biggest question confronting most consumers was how to hide it when company came. These days, we have direct-view monitors, rear-projection sets, front-projection systems with separate screens, plasma monitors, and a question of almost Shakespearean proportions: TV or HDTV?

Ah, that's the question!

Each choice deserves an essay of its own, but before we start we need to look at the big picture (so to speak), so this time out we'll survey the whole scene and then we'll break it down and -- over the next few months -- explore the individual choices in more detail.

First, let's look at how TV currently works. Whether you use an antenna for over-the-air (OTA) reception or use cable or a satellite receiver, your TV (in North America, at any rate) employs a protocol known as NTSC (National Television Standards Committee). This mandates a composite signal with a refresh rate of 60 interlaced half-frames per second. In other words, the signal's red, green, and blue color elements are mixed together as a single element and that picture is broadcast in two parts which alternately restore themselves. Each frame is divided into two half-frames, each of which contains every other line of the complete image. When those two images are switched back and forth rapidly (60 times per second), the eye/brain persistence of vision mixes them together into a single image. This is why the light from a TV screen seems to flicker in a dark room -- the picture really is flickering back and forth between the two half-frames.

This is a fairly crude method of developing a video image that dates back to the early ‘50s. Most computer screens, for example, don't employ NTSC. Not only do they divide the three color components into discrete signals (RGB), they use progressive scanning, which does away with alternating (interlaced) half-frames.

After years of debate (which still hasn’t been completely settled), the Federal Communications Commission (FCC) has mandated a changeover from analog to digital broadcasting (tentatively slated for January 1, 2007). The Advanced Television Standards Committee (ATSC) advocates an over-the-air signal transmission protocol, called Table 3, and manufacturers are producing DTV-ready sets, which are called high-definition televisions (HDTVs).

The definition of an HDTV, according to the Consumer Electronics Association (CEA), is one which can: 1) receive ATSC terrestrial digital transmissions and decode all ATSC Table 3 video formats, 2) display vertical scanning lines of at least 720 progressive (720p) or 1080 interlaced (1080i), 3) display an image in a 16:9 (width:height) aspect ratio, and 4) receive and then reproduce or output Dolby Digital audio.

There is finally some HDTV programming available, and most manufacturers are producing HDTV sets -- or at least HDTV-ready sets, which require separate set-top boxes (STBs) -- to actually process HDTV signals, but we currently seem to be stuck in a battle between manufacturers and broadcasters in which each party is blaming the other for the slowness of the rollout to HDTV. Manufacturers say sales are sluggish because of the paucity of true HDTV programming, while broadcasters are reluctant to spend money on upgrading to HDTV transmission before a certain number of HDTV-equipped households exist.

But there is HDTV out there if you want it bad enough. You'll either need to live within line-of-sight of a broadcaster transmitting HDTV (and use an external HDTV antenna) or subscribe to one of the small-dish satellite TV services, which offer HDTV programming (which requires a special converter box). The recent winter Olympics were broadcast in HDTV and it seems as though everyone who got to experience the HDTV coverage now wants as much hi-def sports coverage as possible.

There is the question of cost, however. A really good HDTV system can set you back $10,000 or more. You can buy 32" direct-view or 40" rear-projection TVs for as little as $2000, but the larger units go up in price at a rapid pace. Add to that $500-1500 for a STB or satellite STB and another $500 for an antenna and it starts adding up fast.

Many people have solved the problem by buying HDTV-ready monitors and putting off the STB until they have more OTA and satellite options to choose from.

Whether you choose HDTV right now, adopt a wait-and-see attitude, or compromise with an HDTV-ready television, you'll get to choose from a wide variety of options. They all fall into one of the following categories: Direct View (CRT or PDP displays), Rear-Projection TVs (RPTVs), or Front-Screen Projectors.

Brief descriptions of these technologies are outlined below:

  • CRT: The most conventional form of TV uses a Cathode Ray Tube (CRT). CRT TVs range in screen size from 13 inches to about 40 inches (measured on the diagonal) and range in price from around $280 to $4000.

  • PDP: A flat-screen direct-view television, the Plasma Display Panel (PDP) is thinner and lighter than a CRT. Because CRTs create their pictures by stimulating phosphor cells with an electron beam, they need to be deep boxes so the electron-firing gun can reach the entire screen. Plasma panels stimulate phosphor cells individually with electrodes. The panel's focus remains uniform and there are no distorted areas caused by curved screens or hot spots (unusually bright areas). The result is a bright, richly colored, clearly detailed HDTV-ready picture in a frame shallow enough to hang directly on the wall -- PDPs range from about four-to six-inches deep. They don’t come cheap, however; expect to pay upwards of 8 grand.

  • RPTV: Rear-Projection TVs (RPTV) projects an image directly on the inside of the screen, enlarging the picture with a series of mirrors and lenses. These televisions are large -- sometimes too big to fit through conventionally sized doors (always measure before ordering!), but they can boast screen sizes of 60 inches or more -- far larger than is possible with a direct-view screen. Prices range from around $2000 to around $7500.

  • Front-Screen Projectors: At the top of the home-video heap are the Front-Screen Projectors, which come in three main types: Liquid Crystal Display (LCD), Cathode Ray Tube (CRT), and Digital Light Processing (DLP). They can deliver a picture size anywhere from a 60" diagonal to a 10’ diagonal, but they require dedicated screens and a low-ambient-light environment. However, if you want to experience the same vivid picture quality at home that you get at an Academy-certified theater, they're the obvious choice. Affordable data-grade DLP projectors can cost as little as $2500; state-of-the-art CRT projectors can cost as much as $40,000.

Next time we'll take an in-depth look at HDTV and its future.

...Wes Phillips
wes@onhometheater.com


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