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October 15, 2004

 

Firefly – The Complete Series

When the "complete TV series on DVD" craze began, I thought it was a great idea. Some television deserves repeated viewings -- and popular shows in syndication get cut to ribbons in an attempt to jam more commercials in. Buy a season or two of a good show (and most shows have only a season or so of really worthwhile episodes) and you can watch at your own pace.

That was just fine for shows like The Sopranos or The Honeymooners or a scant few other series, but then things started getting ridiculous. Friends? Give me a break. On the other hand, as the old joke has it, who am I to judge another person’s hell?

Two recent releases have made me remember what was so refreshing about the whole boxed-set TV explosion. One is the release of the first season of The Wire (just get it -- you won’t be sorry); the other is the release of Firefly – The Complete Series.

Firefly was a Joss Whedon series -- he’s the guy who created Buffy the Vampire Slayer and Angel, the only two television shows that jam as many pop-culture references into an episode as The Simpsons. Firefly was a trans-genre concept, combining the convention of a sci-fi space opera with the feel of a western. It sounds like a stretch, but it actually works pretty well -- and, given time, it might have been huge.

We’ll never know for sure. Fox managed to screw with it at just about every step of the way, from canceling its two-part pilot to yanking it after airing only seven episodes. I missed seeing it on broadcast television -- as did most TV owners. The release of Firefly – The Complete Series gathers together all 14 episodes that were completed and reveals it to be a hilarious and endearing effort.

It’s not perfect -- some of the dialogue and plot devices are pretty creaky -- but Firefly has a loopy energy and off-kilter charm that are very addictive. At least, they would have been, had the series been allowed to find its audience. Speaking of "finding an audience," why do TV executives insist on moving shows around so that even their fans get confused about when they can see them? Is this something that makes sense only to someone pulling down a six-figure salary? But I digress -- my point was that the complete Firefly is really good episodic fiction. Once you buy into the concept, it’s pretty nigh irresistible.

The production values are impressive, too. The main set is the ship itself -- a Firefly-class starship called the Serenity. Like the various Enterprises, the Serenity gives the show a solid sense of place -- more so than the Enterprise, actually, because there’s no use of generic-looking corridor or hanger-bay footage. The Serenity has a specificity that makes it seem very real. It looks very lived-in.

The show’s special effects are extremely good -- not blockbuster-movie good, but it’s obvious that Fox spent some money here. It was shot in 1.78:1 ratio, which is lovingly presented in the four DVD set, and the picture quality is first-rate.

The sound is impressive Dolby 2.0 Surround -- not as impressive as 5.1 surround, but way better than most TV shows even dream of. It’s obvious that the show’s sound engineers cared.

The set comes with some nice features, including the now-obligatory (but in this case pretty interesting) "making of" mini-documentary and an Easter egg of Adam Baldwin singing.

If I haven’t focused on what Firefly is about, that’s deliberate. One reason the show never found its audience on Fox was that it was shown out of sequence, and incomplete at that. Whedon tends to work best in larger arcs, and the show’s first season was kind of about what the show was going to be about. In other words, it’s a voyage of discovery.

But like everything else Whedon has done so far, it’s also about how people survive in a universe that is at best indifferent, and at worst downright hostile: by creating a family and cracking jokes. That means the show lives and dies on the quality of its cast, and Firefly had a really, really good ’un.

I adored the family the cast and crew of Firefly created -- and perhaps the universe isn’t as indifferent as I’ve made it sound. There’s life after network death after all: In 2005, there will be a feature film based on Firefly called Serenity. Check out Firefly – The Complete Series and find out why that is good news indeed.

...Wes Phillips
wes@onhometheater.com


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